The Chance to Escape; D. Shodrock

The prisoner is a classic example of the man who receives security through the planning of others. The involuntary security, being contrary to the prisoner's desire for freedom, is met by various re actions, including the attempt to escape. The Bureau of Prisons of the United States Department of Justice has tabulated the attempts to escape from the Seagoville (Texas) Correctional Institution. A definite pattern can be seen in Mr. Shorock is a speech major in his junior year at Ottawa University in Kansas. the 102 escape attempts between June 25, 1945 and January 1,1960. Of these attempts, 16 were made by inmates who had served less than 30 days; 24 of the attempts were by inmates in the second month of a sentence; 20 were in their third month; 11 in their fourth; and 5 each in the fifth and sixth. In contrast with those 81 attempts in the first six months, only 14 were made in the second six months of sentences. And only seven attempts were made after the first year.

The urge to escape appears to decline ~ignificantly after the sec ond month. The exchange of free dom for security, while undesir able and rejected at first, becomes tolera ted. As can be seen in the cases of prisoners who purposely try to be recommitted to prison Iif e, the exchange can become ac cepted. When you stop to think of it, the systems offered by the various 9 10 THE FREEMAN June types of government intervention ists (be they fascist, communist, welfare-statist, or what have you) all make much the same offer: the exchange of freedom for security. Under any interventionist pro gram, you give up some alter natives in your choice of actions. In exchange, you are promised security. Government interven tionism is like prison. If we carry the analogy further, we see that there is a lesson to be learned from the declining pro pensity to escape. The loss of free dom eventually becomes tolerated and even accepted. The likelihood that people will want to try to escape from interventionism de clines as time goes by.

Persons with no desire for self control, anxious for the security of lives planned and controlled for them by others, may view with patient resignation the prevailing trend away from freedom in the United States and in most other lands. Things are going their way. But anyone who views with alarm the growing intervention ism will want to plan his escape soon. By tomorrow, or next month, or next year, he might have lost the will - and the capacity - to be free. The escape route, the path to freedom, lies in self-help, self control, self-responsibility, self reliance, self-improvement. And slow starters are unlikely to make it. ~ An Empty Title THE SAME LIBERAL CONSTRUCTION which is required for the pro tection of life and liberty, in all particulars in which life and liberty are of any value, should be applied to the protection of private property. If the legislature of a State, under pretense of providing for the public good, or for any other reason, can determine, against the consent of the owner, the uses to which private property shall be devoted, or the prices which the owner shall receive for its uses, it can deprive him of the property as completely as by a special act for its confiscation or destruction.

If, for instance, the owner is prohibited from using his building for the purposes for which it was designed, it is of little con sequence that he is permitted to retain the title and possession. JUSTICE STEPHEN J. FIELD'S dissenting opinion in Munn vs. Illinois, 94 U.S., 113, (1877) MUSICAL FORCED FEEDING WILLIAM HENRY CHAMBERLIN A VIOLATION of cultural freedom, of the right to reject as well as accept, is the sandwich type pro gram which has become standard for most American symphony or chestras. The sandwich takes the form of beginning and ending the concert with works of general ap peal by composers of the classical and romantic schools, for example, Beethoven, Mozart, Bach, Brahms, Wagner, Tchaikovsky. The sand wich effect is produced by inject ing between these acceptable com positions some outpourings of more or less raucous dissonance. The only way in which musical Though best known for his skilled observation and reporting of economic and political condi tions at home and abroad, Mr. Chamberlin also writes knowingly as a patron of music and the arts.