Victor Hugo; J. Powell

THEFREEMAN IDEASON LIBERTY Victor Hugo Liberty and Justice For All by Jim Powell L iterary lion Victor Hugo inspired an outpouring of generous sympathy for wretched people oppressed by government. He chronicled the evils of police power. He spoke out against capital punishment. He denounced taxes and tyrants. He opposed war. He expressed confidence in the ability ,offree people to achieve unlimited progress. He was a leading light for liberty during the nineteenth century because of his pro digious and often lyrical output: nine novels, ten plays, and about 20 volumes of poetry, plus essays and speeches. He broke away from the suffocating formality of classical French literature and achieved the immedi acy of plain talk. He wrote with high moral purpose about dramatic events and created great heroes of world literature. He enjoyed popular acclaim like no previous author in history. Hugo's most beloved work, LesMisera bies, nails government as a chronic oppres sor. He shows poor people being helped not by government but by the charitable works of a private individual. He tells why a resourceful entrepreneur is an engine of human progress. He celebrates revolution against tyranny, while making clear why Mr. Powell is editor ofLaissezFaire Books and a Senior Fellow at the Cato Institute. He has writtenforThe New York Times, The Wall Street Journal, Barron's, American Heritage, and more than three dozen other publications. Copyright © 1996 by Jim Powell.

egalitarian policies backfire. His hero Jean Valjean does good voluntarily, peacefully. Hugo fan Ayn Rand, whose novels about heroic individualism have sold more than 20 million copies, told biographer Barbara Branden: "Les Miserabies was the big ex perience. Everything about it became im portant to me, holy, everything that re minded me of it was a souvenir of my love. It was my first view of how one should see life, wider than any concretes of the story. I didn't approve of the ideas about the poor and the disinherited, except that Hugo set them up in a way that I could sympathize with; they were the victims of government, of the aristocracy, or established authority. The personal inspiration for me was that I wanted to match the grandeur, the heroic scale, the plot inventiveness, and those eloquent dramatic touches." To be sure, some contemporary friends of liberty weren't as impressed. Alexis de Tocqueville, author of Democracy in Amer ica, thought Hugo an "unruly genius. " Lord Acton, among the most respected scholars on liberty, distrusted the blazing eloquence "that nobody but Hugo strives after now.... Some of these Frenchmen live on nothing else; and ifone plucks them, or puts their thoughts into one's own language, little remains."

Hugo, though, courageously backed his convictions with action. In 1822, when he was 20, he defended Vicomte Fran~ois109 110 THE FREEMAN. FEBRUARY 1996 Rene de Chateaubriand, a famed French author who fell out of favor with the gov ernment. A childhood friend named Delon was hunted by police, presumably for his republican politics, and Hugo offered his house as a sanctuary. During the Revolution of 1848, Hugo went from one insurgent stronghold to the next, ducking gunfire all the way, urging an end to violence. Hugo committed himself to the cause of liberty late in life, when he had the most to lose. As a youth, he had supported the French monarchy, and later he admired Napoleon Bonaparte for supposedly up holding the principles of liberty and equal ity. When Hugo was 49, he publicly defied tyrannical Emperor Napoleon III. As a consequence, Hugo lost his luxurious homes, his vast antiques collection, and splendid library of 10,000 books, but he emerged as an eloquent exile who champi oned liberty for people everywhere.

Like Jean Valjean in Les Miserables, Hugo helped the poor by going into his own pocket. He started at home, providing for his estranged wife and his sons who didn't earn much money on their own. He in structed his cook to feed beggars who showed up at his front door. Every other Sunday for about 14 years, he served "Poor Children's Dinners" to about 50 hungry youngsters in his neighborhood. His diaries abound with examples of personal charity. For example, March 9th, 1865: "Soup, meat and bread for Marie Green and her sick child." March 15th: "Sent a set of baby linen to Mrs. Oswald who has just been brought to bed." April 8th: "Sheets to Victoire Etasse who is lying in, and without bed-linen." According to biographer Andre Maurois, personal charity accounted for about a third of Hugo's household expenses during his peak earning years. Hugo was such an idol that his portrait engraving was sold at practically every bookstall in Paris. He had an athletic figure about five feet, seven inches tall. His trade marks were a vast forehead and intense light brown eyes. Early in his career, his long brown hair was brushed back in waves. In later years, his hair turned white, he had it cropped short and grew a moustache with a neatly trimmed beard.

Commitment and Energy If Hugo wasn't an original thinker, he brought intense commitment and self-con fidenceto the cause ofliberty. Literary critic Charles-Augustin Sainte-Beuve observed that when Hugo "grabs an idea, all his energy pushes at it and concentrates on it, and you hear arriving from afar the heavy cavalry of his wit and the artillery of his metaphors." As Hugo himself declared, "Nothing is so powerful as an idea whose time has come." Victor Hugo was born February 26, 1802, in Besan~on, France. He was the third child of Sophie Trebuchet, a sea captain's daugh ter. An admirer of Voltaire, the witty eigh teenth-century French critic of religious intolerance, she apparently never had Vic tor baptized. His father, Joseph-Leopold Sigisbert Hugo, had quit school to enlist in the army of the French Revolution, dis played unusual ability, and became a major general under Emperor Napoleon Bon aparte.

Victor Hugo experienced a tumultuous childhood. His parents went their separate ways, and there was a long, bitter custody battle as the children were shuttled back and forth in England, Italy, and Spain. After Napoleon's downfall, the family had to scramble for a living. Hugo dreamed of a literary career, but in 1821 his mother died. She left a mess of debts, and his father disapproved of his ambition which was likely to mean tough times. "I shallprove to him," Victor told his older brother Abel, "that a poet can earn sums far larger than the wages of an Imperial general." At the time, Hugo struggledto live on two francs a day. Work Hugo worked in an austere room with plain rugs, plain draperies, and no wall decorations. He stood while writing at a polished wood desk secured to a wall. He VICTOR HUGO-LIBERTY AND JUSTICE FOR ALL III started work soon after 8:00 in the morning and continued until 2:00 in the afternoon.

After a substantial lunch, he wrote from 4:00 to 8:00. Then he changed clothes and did work-related reading for three hours. By 11:00 PM, he was ready for a light meal with his wife and friends. "My colleagues spend their days visiting each other, sitting and posing in cafes, and talking about writing," he remarked. "But I am not like them. I write. That is my secret. What I achieve is done by hard work, not through miracles." Hugo's first collection of poems was pub lished in 1822. Then came a succession of poetic works which put Hugo in the fore front of the romantic movement, exploring emotions with melodrama and exuberant style. He ventured into politics witha poem saluting young French revolutionaries who, in July 1830, had toppled King Charles X after he began restricting individual rights. Hugo became increasingly infatuated with heroic personalities, Napoleon above all. When Bourbon officialsinsulted three of Napoleon's aging marshals, Hugo wrote ,'Ode ala colonne de la Place Vendome," a poem bursting with patriotic fervor. It caused quite astir. Then Hugo wrote a play that idealized Oliver Cromwell, Eng land's seventeenth-century Puritan military dictator who ordered the beheading of a king. The play wasn't produced, in part, because it was an obvious target for censor ship.

Hugo resolved to succeed in the theater. Censors interpreted his first play, Marion de Lorme, as a slap at Charles X, and the production was shut down. Hugo responded by writing Hernani, discreetly set in six teenth-century Spain, about a heroic rebel against authority. A lyrical melodrama, it opened at the Comedie Fran~aise on Feb·mary 25, 1830, and reportedly enjoyed the most enthusiastic reception since the ac claimed plays of Voltaire acentury earlier. Government censors feared that closing it down would provoke an uproar. Two years later, censors did shut down Hugo's next hit play, Le Roi s'amuse, which included an unflattering portrayal of Fran~ois I, among the most famous of French kings. Giuseppe Verdi, Italy's outstanding opera composer who had turned Hernani into an opera (Ernani), called Le Roi s'amuse "the great est drama of modern times," and it became the basis for his popular opera Rigoletto.

Hugo had already set his sights on writing fiction. His first novel, Bug-Jargal (1826) was a melodrama about blacks rebelling in Santo Domingo, and though critics consid ered it trash, the public loved it. Then, inspired by the novels of Englishman Walter Scott, Hugo wrote a medieval epic of his own: the anti-royalist Notre-Dame de Paris (1831)about the hunchback Quasimodo who falls in love with the gypsy heroine Esmer alda. The intensity of feeling and vividness of language captivated readers throughout the Western world. "Hugo," wrote literary critic Theophile Gautier, "is the greatest of living French poets, dramatists and novel ists. He has no peer." "Ideas Are My Sinews and Substance . . .', Hugo was a shrewd observer of life around him. "Ideas are my sinews and substance," he remarked. "I must use them to earn my living and to make my continuing mark in the world, so I husband them, and never fritter them away. An observation, a feeling, even a fleeting sensation, all these are the precious marrow which compels me to stand at my writing desk."

Meanwhile, Hugo's wife, Adele-they had been married in 1822-was bored with poetry, plays, novels, and their three chil dren. By 1831, she had begun an affair with literary critic Sainte-Beuve. She refused to continue relations with Hugo, and he launched an extraordinary succession of affairs. Most were shortlived, but one with actress Juliette Drouet-began in Feb ruary 1833 and endured until her death a half-century later. Four years younger than Hugo, she had long black hair, violet eyes, a slim figure, and considerable knowledge of ,French literature. He paid her substantial debts, she became utterly loyal, copied his manuscripts, and performed other secre tarial work. "I look on you," he wrote, "as 112 THE FREEMAN • FEBRUARY 1996 the most generous, the worthiest and the noblest of all. . . ." He plunged into political controversies. He had already written Le Dernier Jour d' un condamne (Last Day of a Condemned Man), a polemic against capital punishment.

King Louis-Philippe named Hugo a peer, which meant he became member of the French Senate and could participate in po litical deliberations. The French Revolution of 1848 overthrew Louis-Philippe, and in December there was to be an election for President of France. Hugo and a newspaper he edited backed Louis-Napoleon, who had a magical name although apparently he wasn't related to Bonaparte. Having won, Louis-Napoleon conspired for absolute power. Government thugs smashed printing presses and newspaper offices. The government sent soldiers to Italy where they defended the Pope's power against republicans. Hugo, who had roman ticized charismatic leaders, recognized the evil of political power. He became the leading voice of opposition to Louis-Napo leon. He ridiculed the President as "Napo leon Ie Petit"-"Napoleon the Little." Louis-Napoleon imprisoned Hugo's sons Charles and Fran~ois-Victor. In December 1851, Louis-Napoleon disregarded a law limiting the President to one term and de clared himself Emperor Napoleon III. Hugo formed a Committee of Resistance, but the Emperor's soldiers crushed all opposition and went hunting for Hugo.

Exile Juliette Drouet arranged a safe house, disguised him as a shabby laborer, provided a passport for a new identity, and on De cember 11th got him aboard a night train for Brussels. She followed two days later. By becoming a political exile, Hugo forfeited virtually all his assets. Moreover, his roy alty income had exceeded 60,000 francs a year, and it was illegalfor French publishers to continue sending him checks. He soon proved too controversial for the Belgians who were trying to maintain good relations with Napoleon III. Hugo and his entourage settled on the Channel Isle of Guernsey, and that became his home for the next 14 years. Hugo earned good money from his polit ical writings. Les Chatiments (Castiga tions), a 6,000-line poem, garnered him 75,000francs, so he was able to pay 10,000 francs for Hauteville House. It was a mag nificent four-story manor. He resumed his rigorous work routine in the solarium with unbleached linen curtains, a plain rug, and a slab of wood hinged to the wall for his standing desk. As a defiant exile, Hugo wrote in the tradition of intellectual rebels like Rabelais and Voltaire.

After a morning of intense work, Hugo had a "light meal" consisting of pate, om elet, or fish, then roast beef, lamb, pork, or veal with potatoes and several other vege tables, salad, English puddings, cheese, and a different wine with each course. He did his serious eating at dinner which included a dozen or two oysters, soup, fish, perhaps roast chicken, then a hearty meat dish like Beef Wellington, salad, and a rich dessert such as chocolate mousse, followed by per haps a half-dozen oranges. He remained in reasonable shape because everyday, regard less of harsh weather, he spent a couple of hours hikingalong Guernsey's rugged coast. From Guernsey came one literary tri umph after another. In 1859, Hugo pub lished La Legende des siecles (Legend of the Centuries), an epic poem about the struggle for liberty and human progress. He denounced French King Louis XIV as a tyrant, celebrated the English defeat of the Spanish Armada and portrayed Napoleon III as a frog.

Napoleon III made a public appeal for French exiles to return, but Hugo defiantly responded: "I swore that I would remain in exile until the end, either my own or that of Napoleon Ie Petit." The Times of London declared "Weare proud that Victor Hugo elects to live on British soil, which is en riched and nourished by his presence. " The New York Tribune added, "His voice is that of free men everywhere." Hugo began speaking out more about liberty. He denounced the December 1859 execution of John Brown, who tried to VICTOR HUGO-LIBERTY AND JUSTICE FOR ALL 113 foment slave revolts in Virginia. He encour aged the efforts of Giuseppe Garibaldi to establish a liberal democracy in Italy. "Lib erty, " Hugo told a thousand people gath ered on the Isle of Jersey, "is the most precious possession of all mankind. Food and water are nothing; clothing and shelter are luxuries. He who is free stands with his head held high, even if hungry, naked and homeless. I dedicate my own life, whatever may be left of it, to the cause of liberty liberty for all!"

Les Miserables Hugo turned to a project long simmering in his mind. This was a novel tentatively titled Miseres for which he started making notes in 1840. From 1845 until work was interrupted by another French Revolution on February 21, 1848, he pushed ahead with it, changed the tentative title to Jean Tre jean and put aside the manuscript. On April 26, 1860, he went to the tin trunk where he had stored the manuscript and resumed work. "I have spent almost seven months in thinking over and clarifying in my mind the whole work as I first conceived it," he noted, "so that there might be complete unity in what I wrote twelve years ago and what I am going to write now." He sus pended his twice-a-day feasts, and his pen was ablaze. He wrote about two-thirds of the book in 1861. He finished Les Misera bles on May 19, 1862. The book chronicles the phenomenal saga of Jean Valjean, a peasant imprisoned 19 years for stealing a loaf of bread and break ing free from prison. He manages to escape again, adopts a new identity, and redeems himself through peaceful commerce, creat ing a successful manufacturing business which helps an entire region prosper. He builds schools and distributes a substantial part of his wealth to the poor. He rescues Cosette, an impoverished girl, from a mon strously abusive foster father and raises her himself. Despite abundant good works, Val jean is trailed by ruthless police inspector lavert who is intent on returning him to prison. He flees with Cosette, the business closes, and the region plunges into depres sion. When Valjean finds himself in a posi tion to kill his tormenter Javert, he lets the inspector go free. Meanwhile, Cosette falls in love with Marius, a revolutionary repub lican who becomes severely wounded amidst the failed Paris uprising of 1832.

Valjean saves him from police by carrying him through the only available escape route-the dangerous sewers of Paris. Mar ius marries Cosette, Valjean confesses to Marius that he is an old convict, and the horrified Marius banishes him from the household, which brings on his final illness. But just before Valjean dies, everyone is reconciled as Marius learns the full story about the man's saintly deeds. While Les Miserables exudes generous sympathy for the most wretched among us, Hugo stood apart from the socialist trend of his time. He seemed to be countering the Marxist dogma of class warfare when he wrote "There has been an attempt, an erroneous one, to make a special class of the bourgeoisie. The bourgeoisie is simply the contented portion of the people. The bour geois is the man who has now time to sit down. A chair is not a caste." Hugo pressed his attack: "Communism and agrarian law think they have solved the second problem [distribution of income].

They are mistaken. Their distribution kills production. Equal partition abolishes emu lation. And consequently labour. It is a distribution made by the butcher, who kills what he divides. It is therefore impossible to stop at these professed solutions. To kill wealth is not to distribute it." Hugo expressed confidence that private enterprise and peace would alleviate pov erty: "All progress is tending toward the solution. Some day we shall be astounded. The human race rising, the lower strata will quite naturally come out from the zone of distress. The abolition of misery will be brought about by a simple elevation of level." Hugo decided to have Les Miserables brought out by Albert Lacroix, a Brussels publisher whom he considered a good busi nessman. The contract called for Hugo to 114 THE FREEMAN • FEBRUARY 1996 receive a million francs-one-third upon signing,one-third in six years, and one-third in 12 years. The book was perhaps the first international publishing event, going on sale simultaneously in Amsterdam, Leipzig, London, Paris, New York, and other cities.

Within a decade, it was published in some 40 countries. In 1874, full rights reverted to Hugo, and he authorized inexpensive edi tions. Altogether, some seven millioncopies of the book sold during the nineteenth cen tury. With Les MiserabLes, Hugo earned more money than any author before. Hugo continued to focus on novels. In 1866, he produced Les Traveilleurs de La Mer (Toilers of the Sea), about a heroic fisherman who struggles against the ele ments. In 1869, Hugo wrote L'Homme qui rit (The Man Who Laughs), a historical romance about a kidnapped English boy reared by gypsies, who exposes the failure of ruling elites. Hugo spoke out anew as Napoleon III intervened in the affairs of other countries. Napoleon's military adventure in Mexico backfired. He got into a war with Prussia, and Prussian soldiers advanced toward Paris. Napoleon III abdicated September 4, 1870.Hugo gathered together his family and arrived in Paris the following day. He had gained some weight during his exile, there were circles around his eyes, and he sported a white beard, but his free spirit was still unmistakable.

Return to France Thousands of people lined the streets as Hugo's carriage made its way to his new residence. There were shouts of "Vive la Republique!" and "Vive Victor Hugo!" Vendors openly sold his polemical poetry, and popular actresses like Sarah Bernhardt held public readings of it, donating the proceeds to help defend France against the Prussian onslaught. Hugo wrote a prophetic letter to the Germans, which urged that they make peace and warned that humiliation of France would trigger venomous hatred and ultimate defeat of Germany. Germany's "Iron Chancellor" Otto von Bismarck disVictor Hugo's hero Jean Valjean lives on in the popular musical production of Les Miserables. regarded Hugo's appeal, Paris surrendered on January 29, 1871,and a half-century later embittered Frenchmen celebrated Ger many's ruin during the First World War. In February 1871, Hugo was elected a Deputy to the National Assembly of the French Third Republic. He railed against the humiliating settlement which involved French surrender of most of Alsace-Lor raine. to Prussia, but it was ratified by a war-weary majority. Hugo denounced so cialists who attempted a violent takeover and conservatives who struck back with fury.

Through all this, Hugo continued his dis ciplined writing. His most notable work in France-his last novel-was Quatre-vingt treize (Ninety-Three), a drama focusing on the climactic year of the French Revolution. His hero Gauvain was a liberal republican who courageously opposed the Terror. Ayn Rand wrote an enthusiastic introduction to VICTOR HUGO-LIBERTY AND JUSTICE FOR ALL 115 a reprint because the book was about indi viduals committing themselves to moral val ues, and because Hugo had inspired much of her own work. During his last years, Hugo was de pressed by the death of his sons, but in other respects he had a grand time. He continued to arise at dawn and write till midday. L'Art d'etre grand-pere (The Art of Being a Grandfather [1877]),his collection of senti mental poems, further enhanced his popu larity. Hugo had more romantic adventures. His personal fortune surpassed $1,400,000, an enormous sum in those days. He enter tained as many as 30 dinner guests nearly every night. As Hugo began his 80th year, February 26, 1881, he was honored with a National Festival, a celebration the likes of which had never been seen for a private individual-some 600,000admirers paraded by his opulent residence, 130 Avenue d'Ey lau, in the Champs Elysees quarter, leaving huge mounds of flowers.

Nothing, however, could restore his spir its after the death of his beloved Juliette, of cancer, May 11, 1883. She was 77. Then on May 15,1885, Hugo got what seemed like a bad cold. It turned out to be pneumonia. He was wracked with fever and struggled to breathe. He died around 1:30 in the after noon, May 22nd, at 83. He was placed in a pauper's coffin, as he had requested, and set beneath the Arc de Triomphe. Then an estimated 2 million people watched as a mule cart carried him to his resting place at the Pantheon. He was buried beside Vol taire. Since Hugo's time, his reputation outside France has endured with a single novel nearly all his other novels, plays and poems forgotten. But that novel, of course, is Les Miserables, which has touched more hearts than ever. In 1978,French composer Claude Michel-Schonberg and lyricist Alain Boublil began work on a musical production of Les Miserables. On October 8, 1985,it opened in London, and two years later, on March 12, 1987, it came to Broadway. "A thrilling musical experience," declared Time maga zine. Les Miserables has played in Austra lia, Czechoslovakia, Hungary, Israel, Ja pan, the Philippines, Poland, Singapore-22 countries altogether. Some 41 million peo ple have seen this inspiring·story of liberty and justice for all, Victor Hugo's most precious gift to the world. 0 The power of one.

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