The Liberty Archive FREECAPITALISTS.ORG

Conceived in Liberty Companion · Volume IV, chapter 43 · 20 March 1778

The plain man at court

In a gilded chamber an old man in a plain brown coat, his white hair unpowdered, bows slightly before a tall young king in embroidered silk, while courtiers in powder and silk look on before a great canopied bed.
Versailles, March 1778. Benjamin Franklin, plain in a brown coat and his own unpowdered hair, is led into the King’s Chamber and presented to Louis XVI among silk and powder. The young king asks him to assure Congress of his friendship. Rothbard calls Franklin a master of diplomatic intrigue and a huge hit with the French, who signed treaties with America that February. Chapter 43 of Conceived in Liberty.

Download the painting, full size (JPEG)CC BY 4.0

Free to reuse under CC BY 4.0: credit freecapitalists.org. How to credit.

Adapted from Murray N. Rothbard, Conceived in Liberty (Mises Institute, 2011), CC BY 3.0.

The story, from several sources

This account blends Rothbard’s chapter with the other sources listed below and has not yet been separated into Rothbard’s own account and the fuller story. Read Rothbard’s chapter 43 for his account.

For Americans, the great aim was to turn France from a secret supplier into an open ally. Franklin reached Paris at the end of 1776 with Silas Deane and Arthur Lee, and the French, who saw in him reason and the natural man, made him a celebrity. His instructions were libertarian in spirit: a treaty of free trade, neutral rights and friendship, not a military alliance. France hesitated until news of Saratoga reached Paris in December 1777. On 6 February 1778 the two sides signed a treaty of amity and commerce and a defensive alliance, with no compromise of American independence. On 20 March Vergennes led the three commissioners through the corridors of Versailles, past the Oeil-de-Boeuf room, into the King’s Chamber. Louis told Franklin that he wished Congress assured of his friendship. Franklin, dressed like an American farmer among the silks, answered that the king could count on Congress’s gratitude and its faithfulness to its engagements. Arthur Lee found the ceremony disappointingly casual. The French announced the audience the next day. Within three months France and Britain were at war. Rothbard notes that the commerce treaty settled for most-favored-nation terms in place of the unrestricted free trade America had first proposed.

Sources

  1. Murray N. Rothbard, Conceived in Liberty (Auburn, Ala.: Mises Institute, 2011 single-volume ed.), vol. IV, ch. 43, ‘Response in Britain and France’, pp. 1346-1352. CC BY 3.0. Rothbard
  2. ‘The Presentation of the American Commissioners at Versailles: Two Accounts, 20 March 1778’ (Arthur Lee’s diary and the duc de Croy’s journal), The Papers of Benjamin Franklin, vol. 26, Founders Online (accessed 2026-10-02). The page returned empty to the fetch tool, so its content (the rooms, the announcement on 21 March, the Oeil-de-Boeuf wait, Lee’s disappointment at the casualness) is taken from search summaries of it. Primary source
  3. ‘Visitors’ tales: Benjamin Franklin’, Chateau de Versailles (accessed 2026-10-02), through a fetch summary: the King’s Chamber; brown waistcoat, hat on unpowdered white hair, ‘as an American farmer’; the king’s and Franklin’s words; Franklin’s face ‘glowing’. Secondary source
  4. ‘The King’s Bedchambers at the Palace of Versailles’, PARISCityVISION (accessed 2026-10-02), through a search summary: about 90 square metres, the state bed with four bouquets of white ostrich feathers, a gilded railing, Coustou’s stucco ‘France watching over the King’s sleep’. Secondary source
  5. ‘Versailles and the United States of America, 1778-1783’, Chateau de Versailles (accessed 2026-10-02): the Oeil-de-Boeuf wait and the King’s Great Chamber; it dates the official reception to 21 March. Secondary source
  6. design/course-briefs/strategies-for-changing-minds-toward-liberty.txt (this repository): the plain brown coat, unpowdered hair and round hat under his arm for the course painting of the same scene. Secondary source